π‹πšππ² 𝐒𝐧 π‘πžπβ£
π‹πšππ² 𝐒𝐧 π‘πžπβ£
Cover to Heavy Metal magazine #309
Cover to Heavy Metal magazine #309
🦿 𝐁𝐒𝐨𝐧𝐒𝐜 𝐊𝐒𝐜𝐀 🦿
🦿 𝐁𝐒𝐨𝐧𝐒𝐜 𝐊𝐒𝐜𝐀 🦿
πŸ§™β€β™€οΈ The Blind Witch and her New Apprentice πŸ§™β€β™€οΈβ£
πŸ§™β€β™€οΈ The Blind Witch and her New Apprentice πŸ§™β€β™€οΈβ£
Netflix and Chill
Netflix and Chill
πŒπ†π—ͺ+π‚πŒπ— Con Milan πŸπŸŽπŸπŸ‘β£ Poster Art
πŒπ†π—ͺ+π‚πŒπ— Con Milan πŸπŸŽπŸπŸ‘β£ Poster Art
Blue
Blue
πŸ¦‹ Butterfly Knight πŸ¦‹
πŸ¦‹ Butterfly Knight πŸ¦‹
Pink JalapeΓ±o
Pink JalapeΓ±o
1 AM
1 AM
Hybernation
Hybernation
The Anatomy of a Cyborg
The Anatomy of a Cyborg
A piece of fanart made for the game The Binding of Isaac
A piece of fanart made for the game The Binding of Isaac
Someone like you
Someone like you
Commission of Court of the Dead's Shard
Commission of Court of the Dead's Shard
Cthulu Claus is coming to town
Cthulu Claus is coming to town
The Inhumans, a print made for Sideshow Art Prints
The Inhumans, a print made for Sideshow Art Prints
Demithyle, a print made for Sideshow's Court of the Dead
Demithyle, a print made for Sideshow's Court of the Dead
Voltron, a print made for Sideshow Art Prints
Voltron, a print made for Sideshow Art Prints
Gallevarbe, a print made for Sideshow's Court of the Dead
Gallevarbe, a print made for Sideshow's Court of the Dead
Kier, a print made for Sideshow's Court of the Dead
Kier, a print made for Sideshow's Court of the Dead
Shard, a print made for Sideshow's Court of the Dead
Shard, a print made for Sideshow's Court of the Dead
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
Lineart for the cover of Heavy Metal Magazine #278
Lineart for the cover of Heavy Metal Magazine #278
Cover for Luna
Cover for Luna
Venom, commission
Venom, commission
Assembly of Generals, a print made for Sideshow's Court of the Dead
Assembly of Generals, a print made for Sideshow's Court of the Dead
Stan Lee Homage, made for Sideshow Art Prints
Stan Lee Homage, made for Sideshow Art Prints
Black and white artwork for Sideshow Collectibles
Black and white artwork for Sideshow Collectibles
T-shirt designs for Sideshow's Court of the Dead
T-shirt designs for Sideshow's Court of the Dead
Girlfriend with her favorite Pokemon
Girlfriend with her favorite Pokemon
Illustration for Harcover 2
Illustration for Harcover 2
Oglavaeil, a print made for Sideshow's Court of the Dead
Oglavaeil, a print made for Sideshow's Court of the Dead
Skeletor and Luna, for a friend
Skeletor and Luna, for a friend
Flavour Pepper
Flavour Pepper
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