Cover to Heavy Metal magazine #309
Cover to Heavy Metal magazine #309
Netflix and Chill
Netflix and Chill
Pink Jalapeño
Pink Jalapeño
1 AM
1 AM
Hybernation
Hybernation
Blue
Blue
🦋 Butterfly Knight 🦋
🦋 Butterfly Knight 🦋
The Anatomy of a Cyborg
The Anatomy of a Cyborg
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
In 2020-2022 I worked on the Richard Linklater animated feature "Apollo 10 1/2: A Space Age Childhood" (Netflix). In the early stages I was responsible for the general look and style of the characters and further down the line I took on the role of Character styleframe supervisor, leading the styleframe team.
Commission of Court of the Dead's Shard
Commission of Court of the Dead's Shard
Cthulu Claus is coming to town
Cthulu Claus is coming to town
A piece of fanart made for the game The Binding of Isaac
A piece of fanart made for the game The Binding of Isaac
The Inhumans, a print made for Sideshow Art Prints
The Inhumans, a print made for Sideshow Art Prints
Demithyle, a print made for Sideshow's Court of the Dead
Demithyle, a print made for Sideshow's Court of the Dead
Voltron, a print made for Sideshow Art Prints
Voltron, a print made for Sideshow Art Prints
Lineart for the cover of Heavy Metal Magazine #278
Lineart for the cover of Heavy Metal Magazine #278
Cover for Luna
Cover for Luna
Venom, commission
Venom, commission
Gallevarbe, a print made for Sideshow's Court of the Dead
Gallevarbe, a print made for Sideshow's Court of the Dead
Kier, a print made for Sideshow's Court of the Dead
Kier, a print made for Sideshow's Court of the Dead
Shard, a print made for Sideshow's Court of the Dead
Shard, a print made for Sideshow's Court of the Dead
Assembly of Generals, a print made for Sideshow's Court of the Dead
Assembly of Generals, a print made for Sideshow's Court of the Dead
Stan Lee Homage, made for Sideshow Art Prints
Stan Lee Homage, made for Sideshow Art Prints
Commission of Gwen Stacey turning into Venom
Commission of Gwen Stacey turning into Venom
Black and white artwork for Sideshow Collectibles
Black and white artwork for Sideshow Collectibles
T-shirt designs for Sideshow's Court of the Dead
T-shirt designs for Sideshow's Court of the Dead
Girlfriend with her favorite Pokemon
Girlfriend with her favorite Pokemon
Azure, for Satellite Soda
Azure, for Satellite Soda
Illustration for Harcover 2
Illustration for Harcover 2
Oglavaeil, a print made for Sideshow's Court of the Dead
Oglavaeil, a print made for Sideshow's Court of the Dead
Sailor Moon redraw
Sailor Moon redraw
Skeletor and Luna, for a friend
Skeletor and Luna, for a friend
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